Showing posts with label Ally McRae. Show all posts
Showing posts with label Ally McRae. Show all posts

Friday, 15 March 2013

The Scottish Alternative Music Awards



Due to last minute circumstances Ralph was unable to attend the Scottish Alternative Music Awards in person but his able deputy Mr Malcolm (anorak) Parry stepped in (with the offer of drink and debauchery) to cover the night and this is the result!






My week began with an SOS message from everyone's favourite Jack Russell - Ralph , who was due to be covering the awards but unfortunately had to cancel because he was having his claws trimmed (well he is a diva). So he asked if I could cover and review the event for him.  Of course I accepted the mission and like a nervous, rookie Rolling Stone reporter I headed over to Glasgow.



This is the fourth event in the awards history, gaining popularity over the years and gradually moving up to a bigger capacity venue.  This being my first time at the annual event, on entering the venue you could already feel the atmosphere & excitement building.  I mingle saying hello to a few of the award nominee's & music biz personalities.  One Scottish radio hero Vic Galloway, looking suitably dapper in a 3 piece suit he tells me - "I had this made exclusively for me for the night and its a one of a kind" - and why not, he has excellent taste in music and obviously clothing.


Ded Rabbitt.jpgI bump into Best Newcomer nominees Ded Rabbit.  A quick chat and photo opportunity was had, with the guys telling me they were inspired to name the band after Led Zeppelin, taking out the 'a' of the dead. The band of brothers (now based in Edinburgh but all hailing from Yorkshire), blame their dad (who was present) for crossing the border to reside in the Highlands.  




All humbled and excited to be nominated, they do owe their dad some praise, If it wasn't for him shovelling them up north to a new warren, they wouldn't be stood here today with a nod under their belt. They make indie pop with a sax edge, sounding to me like a mix of Arctic Monkeys with The Zutons.









We get an announcement that the event's proceedings will commence in 10 minutes.  The excitement grows.....as well as the ever increasing audience.  A busy night ahead!

We begin the evenings entertainment with funny man Billy Kirkwood, storming the mic shouting - "HOW YOU DOING YOU MOTHER FUCKERS?" - in his strong Glaswegian accent, looking like a young Billy Connelly disguised as a roadie.  He does his job well warming us all up on this cold night as he introduces us to the opening act Fat Goth.....


A mix of doom laden falsetto vocal, ferocious metal riffs, all with punky attitude, music your granny would love.  A mixed reaction from the audience, maybe stunned or shocked at the extreme noise coming from the speakers.    Lead singer Frazer Stewart tells me later that - "One manager from a nominee's band thought we were utter shite" 


I must admit, I like them myself.  A band who don't take themselves too seriously, enjoying the ride regardless of bad press, though Frazer also commented - "It all adds to the comedy edge".  I'm sure I overheard someone say the venue had received a call from Edinburgh police to turn the volume down.  Joking of course, but these are a band best enjoyed with the volume turned up.  Fat Goth were nominated for Best Rock/Alternative.



Vic Galloway then announces the award for Best Acoustic which went to Little Fire who has performed around the UK including the Latitude Festival, Rockness, the Bedford in London, all around Scotland and has had his music played on BBC Radio 1, BBC Radio 2 and performed live on national television.







Bear Arms with award.jpg

The next award is introduced by two Scottish wrestlers who announce the winner for Best Metal - Bear Arms, a band all hailing from Kinross/Glasgow.  I managed to get 5 minutes with the guys afterwards who were delighted to win their award and gave huge respect to the rest of the bands in that category.  




I went on to ask - “Now you have won, what venue would you like to headline?" - without hesitation - "The Barrowlands".  I also asked - "If you were offered a support slot with any band, who would it be?" They replied - "If they got back together then Alexisonfire or Brandnew, both would be dreams come true".  Well you never know lad's, the doors will be opening for you I’m sure.




Our second live band for the evening was Vigo Thieves.  Stadium sounding Indie Rockers, with 80's U2 bass lines and keyboard sounds.  On one tune we get a guest saxophonist, giving the tune an Aztec Camera feel.  The band introduce their track Ghosts, telling us the video features the controversial, former TV star John Leslie. The band are nominated for Best live Act and based on their set I can see why.









The stage suddenly gets a T in the Park /Slam tent make over for Electronic Band, Roman Nose.  All of them wearing wrestlers masks, the 3 piece armed with two laptops and a drum machine take the stage sounding to me like The Prodigy arm wrestling Daft Punk.  Someone put the roof back on!  Stunning!  The band are nominated for Best Electronic and whilst enjoying their set I get a quick word with another nominee Plum, who tells me "The guys wanted to do a live collaboration with me tonight, but having such a tight schedule with the dance base project I sadly had to refuse, though one day soon I would love to work with the guys and maybe tour together."  Exciting stuff, I’m sure you'll agree?








Next Award : Best Hip Hop goes to Gasp.  Purveyor of hard nosed Scottish reality rap and founder of Badmouth Battles, he's a veteran of the burgeoning Scottish hip hop scene.  Along with the likes of Hector Bizerk and Stanley Odd he's brought Scottish hip hop to the mainstream music fan.








Then Radio 1's Ally McCrae announces Best Rock which goes to Culann.  They're a band that has secured a loyal following, and have played the legendary King Tut's not once - but an astonishing 10 times, including prestigious support slots with the likes of The Datsuns and Band of Skulls. They have also supported punk polemicists Capdown in the Scottish capital, Edinburgh.







Jim agrees.jpg


We get the big music man, Jim Gellatly on stage to introduce Best Electronic artist which causes some confusion between him and Billy Kirkwood, who says "Strangely the award is advertised as Best Electronic, on the award is Best Electro" - Jim adds -" Or Best Electrician" - followed by - "This person isn't expecting this and has had a few drinks, the award goes to Plum"  







Earlier Plum had said - "I am absolutely delighted to be shortlisted for this award.  Female electronic music producers are very rare right now, so I hope that my shortlisting inspires other female artists to produce great electronic music and compete with the best." 

She accepts her award stunned, almost speechless ("Oh Crap") but elated.  Good on her, I feel this will be her year.  





I make my way back stage to greet her but struggle to get an interview as she still cant talk, just smile with her award.  I spot Fat Goth and manage a chat with lead man Frazer who tells me - "We were up against some stiff competition in our category, we were just honoured to be recognised."  and - "On the back of the nomination we have been able to find funding to nearly complete our third album which is due out soon."  They've a tour booked taking their alternative metal/rock across the border to London, Leeds, Cardiff and hopefully other cities.  I ask who they would like to go on tour with?  - "One band we would love to see reform and go out with is Jesus Lizard, also we would love to tour with Torche."



While I chat with them I unfortunately miss the Best Newcomer award which goes to Edinburgh Country Rockers: The Holy Ghosts, who tell me later that they were taken aback and never expected to win. Well personally I wasn't surprised, great tunes from them and really fun live. Ralph makes up for that in their blog.






The Last award goes to Best Live act OK Social Club.  I only catch a glimpse while I chat to band s and radio people (ligging) backstage but I like what I see and hear.  Given that The OK Social Club have only been together as a band since mid 2011 their achievements are becoming the stuff of legend.  Their first two singles 'The Shape Of Things To Come' and 'The Late 90's' were released on Platform records in 2012 and featured on a number of radio and TV shows.







Well thanks to the great organisers of the SAMAS, I would say everyone was a winner, both the award holders and the nominees who were all bringing their musical talents to a wider audience of Scottish music loving fans, me included. So I’ll see you again next year, hopefully with a Jack Russell and his entourage, in tow.  Many thanks also to Darren Jones Williamson for the photographs he let Ralph steal to accompany those taken by Malc.  Ralph would also like to big up Richy Muirhead and the SAMA team.

Monday, 4 March 2013

Mono Life






Now Ralph always likes to check out a band or artist with their very own rock dog and Mono Life (aka musician/DJ/producer Mark Osborne) from Hull fits the bill with the very lovely Beryl who's looking a bit mean and moody in the picture, kind of like her old man's brand of synth based, heavy beats.  These are well represented by the 'Mono Sound' EP due to be released 11th April.








Mono Sound is a highly addictive track with it's heavy beat pulsing throughout the track, accentuating the lighter almost dance-floor electronica and it has featured recently on local BBC Introducing.  

If this taster EP with superb remixes by Endoflevelbaddie, AbeZilla, Cat Sized Panda and Sham Getz is a reflection of the debut album due out later this year, we're in for a real treat.  Jen and Ally on BBC 1 Introducing were so impressed they gave Mono Life a spin on their show recently.




Here's a fascinating collaboration with fellow east coast producer Cat Sized Panda with Mono Life doing a 'Deep Space Remix' of Panda's track 'Seraphim'.  Self-styled knob twiddler Cat Sized Panda aka John Sorensen-Jones has also been the subject of some interest BBC Intro-wise with the release of a debut single and album.






Broadsword - Live
Mono Life's sound was born in the 90's with diverse influences such as Orbital, Leftfield and DJ Shadow combining to bring to you a unique and often sci-fi infused sound, well represented by a track like 'Dark Star Theory' with its 'Blade Runner'-esque narrative.  Such is the quality of the track it managed to sneak its way onto BBC Radio 6's Tom Robinson 'Extra gems' track listing last week.







There's going to be launch party for the EP in @Fruit (62-63 Humber Street, Kingston-on-Hull) 8th March with a live performance by Mono Life and DJ sets by Robbo, Pete Robinson and Sizzle Sisters.  Get in there and get on the dance floor!

After that 'The Skull' will be playing The Urban Bar in London's Whitechapel with Abezilla on the 30th March.




Tuesday, 12 February 2013

Haddowfest Presents - Mersault



As we all dream of sunnier days and festival time approaches here's some news from the Haddow Fest team of a new monthly club night in Edinburgh called Haddow Fest Presents and preceding the announcement of Haddow Fest 2013.





The opening night in Edinburgh's Liquid Rooms on the 26th April is headlined by none other than Scottish Alternative Music Award, Best Live Act nominees Mersault.  The night is hosted by BBC Radio 1 Introducing favourite Ally McRae and the support; chosen by Mersault, will be announced soon.








Song, by Toad’s avatar



Meursault came into 2013 on somewhat of a high after 2012 saw headline shows at Edinburgh’s Queen’s Hall and London’s Islington Academy Hall and widespread critical acclaim for their third album, ‘Something For The Weakend’ released in July on Song By Toad Records.  







The earlier records were very much 'lo-fi' recorded at home and holding a certain authentic charm, but this latest release is a polisheded studio album and all the better for it.  Not to be missed this will be Meursault’s first live show of 2013.


  





Tickets for Haddowfest Presents…Meursault and friends are a mere £10 (plus booking fee), available from today from :





Age restriction : 16+ (He swears a bit) Doors : 7 pm

 


The Recovery!





The Recovery! are a five piece punk/metal/core band from Glasgow who  release their new E.P ‘Wherever Nowhere Takes Us’ on 11th February, 2013 via Indie label Cold War Legacy

The first single from the record ‘The Faint & Fragile’ is available now for free download!








If 'Faint and Fragile' is your first foray into their music then the first few lines of the track will lull you into a false sense of security before it kicks you squarely between the legs as it launches into a chorus of crowd inducing hysteria.  It's a barnstormer guaranteed to whip any gig into a frenzy and just as you regain consciousness they'll bludgeon you with the rest tracks on the EP 'Where Ever Nowhere Takes Us'.....oh my aching nuts.....









The Recovery! formed out of the ashes of various bands and several failed relationships which ended up in nights of alcohol fueled debauchery in a cold dingy flat in Glasgow's West End. 







The five members met just at the right time sharing experiences from hurling guitars out of smashed windows to crying tears of sheer desperation through shared experiences of love and loss.  Beanzy, the guitarist jokingly mentioned that they should call their new musical endeavour The Recovery! and that’s exactly what the band came to be – a musical vessel for each band member’s recovery from the depths of despair.




The band self-released their first E.P ‘This Ones For The Lovers’ and more recently a single titled ‘Vulture Club’ which has seen them playing to packed venues around Scotland.  More recently they supported Cancer Bats at The Slam Dunk Festival. They've also had the pleasure of playing a live session for Ally McCrae on BBC Radio 1 along with various other airplay and to critical acclaim.







"A big big slab of rock, some serious heavy riffs from Glasgow. It is brutal, the sort of thing Daniel P Carter has for his breakfast." - 








"The Recovery!'s Scottish accents sounded odd among such an America-centric bill, but they represented the homeland well and spurned some pretty serious nodding." - Slam Dunk Scotland 2012 review. 



"The Recovery! have found an almighty sound on 'Wherever Nowhere Takes Us'" - 





"The Recovery fuse an uncompromising metal sound with an anarchic punk spirit...They manage to channel pure rage into their playing, guitars sound like they are being beaten, vocal chords deliberately punished, cementing the album as an expression of unfiltered self loathing, reminding us that the  greatest acts of aggression are those that we would commit to ourselves." - 



"The Recovery! rock, ruck 'n' roll their way through an assortment of deadly, dynamic, hardcore-tinged chops off Cancer Bats' blocks." - 









Feb 23Aces & Eights Saloon Bar **FREE SHOW!!**w/ Accidents Will H...London, United Kingdom

Mar 15Tunnels **BRACE EP LAUNCH**w/ BraceAberdeen, United Kingdom

Mar 16Balcony Barw/ BraceDundee, United Kingdom

Mar 17PJ Molloy'sw/ BraceDunfermline, United Kingdom


Notify me when The Recovery! comes to town.




Img_6116



Andy Cannon – Vocals 
    
Alan Hind – Guitar
Jawn McClengahan – Guitar

 Fraser Henderson – Bass

Stu Reid - Drums




Wednesday, 6 February 2013

Fat Goth.....SAMAs Rock/Alt nominees


Embedded image permalink
Fat Goth at the Beeb for a Vic Galloway Live Session



Ok so I saw that these guys were called Fat Goth and I thought erk, but turns out the only thing that's dark and heavy about this Dundee band are their sounds.  last year they played The Wickerman Festival  alongside other Ralph's Life favourites Campfires in Winter and Olympic Swimmers.


















Embedded image permalinkFollowing The Wickerman Festival they played Bar Bloc in Glasgow and a gig at The Electric Circus in Edinburgh for Born To Be Wide.  I hope you took the chance to catch their distinctive sound, darkly clever lyrics and vocal thrashings so loved by BBC Radio Scotland's Vic Galloway and BBC Radio 1's Ally McCrae  and their tracks can be downloaded at ..... fatgoth.bandcamp.com.  







Here's a snipette from their second album 'Stud' which was released in January to great acclaim.....


first up is the crazy and loveable 'Pinball Moron' with it's shades of early Lou Reed vocalising and if it wasn't for the humour you might never realise it's Fat Goth that's serenading you.....






 


This track's called 'Debbie's Dirty Harry' and it's as loud, dirty and sleazy as you've come to expect from the guys.....as for the rest...go and buy the album.


 






Following the release of the album is the news that they've been nominated for the Scottish Alternative Music Awards's Rock/Alternative section.  Now this is the third time I've had to come back and rework the blog as they keep going from strength to strength and reach new heights, so I've no doubt in a few months time I'll be back here typing away again as they release another album or get nominated for another award.






SAT09FEBFat GothCuddly Shark, Carson WellsNon Zero'sDundee, UKFind tickets
March 2013
SAT09MARFat GothTango In the Attic, Discopolis, The Fridge MagnetsTenement Trails Festival 2013Glasgow, UKFind tickets
FRI29MARFat GothThe TunnelsAberdeen, UKFind tickets


Check out their phat sounds and once your head stops bangin' get youself tickets for one of the guys gigs.....tell 'em Ralph sent you.....and here's a video of 'Surf's Down' at Wickerman!


               




"You'll be none the wiser by the end of it all, but much richer for stumbling into Fat Goth's odd little universe" (KKKK - Kerrang, January 2013)


"STUD is profoundly uneasy listening at its best, and weirdo freaks everywhere should love it." (8/10 - Rocksound, January 2013)


"With this as their latest calling card, Fat Goth should have no problem becoming an in-demand ticket." (4/5 - The Skinny, January 2013)


"it’s heartening to unearth some true underdog oddballs from a dark corner of Britain. Fat Goth, we salute you." (BBC Album Reviews, January 2013)


"...the most exciting thing to come out of Dundee in many a year" (Terrorizer, January 2013)


"Excellent album of thunderstruck-hardcore, hollering-pop and countrified-rock‘n’roll" (4/5 - The List, January 2013)


"This is visceral, intelligent, misanthropic, no-holds-barred rock music" (Vic Galloway, BBC Radio Scotland Album Of The Week)